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ARRI TRINITY 2
The ARRI Trinity 2 represents the pinnacle of flexibility in the world of stabilizers. Its ability to navigate through tight scenarios, such as car windows, and to effortlessly switch from low mode to high mode, are now standard features. However, when combined with the full range of motion of the AR OMEGA® and the extreme 360-degree rolls of the CYCLO® system, the Trinity 2 emerges as a true all-rounder. With this device, a Director of Photography no longer needs to ponder which system to use, as the Trinity 2 covers all bases 💪.
ARRI DRW-1 SET
The DRW-1 wheels are an ideal enhancement for the ARRI Trinity 2, offering the capability to operate complex scenes in dual operator mode. In most scenarios, the (DP) handles the TILT/ROLL axis, allowing me as the operator to fully focus on the rest of the operations. This efficiency significantly speeds up the shooting process, pleasing the producer 😉. The set includes two wireless systems capable of covering distances over 2km, perfect for very large sets where there is a significant distance to the video village, or for tracking shots.
SEGWAY® X2
HandsFree Transporter
The Segway X2 Handsfree transporter is specifically modified for use with a Steadicam and, of course, the Trinity. A key advantage of this Segway is that it provides an excellent alternative to the classic rickshaw, as I, the operator, can also steer the vehicle. Additionally, its carrying capacity of 125kg and redundant systems significantly enhance the operator's safety compared to other smaller systems.
ARRI ARTEMIS 2 STEADICAM®
Of course, the essential Steadicam can't be overlooked. In this instance, it's the ARRI Artemis 2, currently the ultimate RIg, Its excellent power management means that I, as the operator, don't need to concern myself with power and 12/24V issues; the system handles it all. This naturally saves time on set. Due to its extreme modularity, the Artemis is the perfect complement to the Trinity 2.
And many more toys. 🤘
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